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Graphic Design & Social Media Marketing Has Never Been Neutral: Here’s Why

  • Cai-Parker Paré
  • Jun 25
  • 5 min read

Updated: Jun 26

Graphic design doesn’t just reflect the culture; it flirts with it, challenges it, and sometimes totally changes the game.


From the sleek confidence of 1920s Art Deco to today’s digitally-native visuals, graphic design has always been in a back-and-forth with what’s happening worldwide. Culture hands design the vibe, the values, the moment. And design hands it right back with visuals that define how we remember it.


This isn’t about being trendy. It’s about being tuned in and thoughtful. At Fox and Forth, a leading branding agency in Edmonton, we know that when design and culture are in sync, the result isn’t just beautiful; it’s meaningful, magnetic, and built to last.


The Cultural Timeline of Graphic Design to Social Media Marketing

Stenberg Brothers converse in their art studio with art posters on the wall. The mood is creative. Visible Russian text. Monochrome setting.
The Studio of the Stenberg Brothers.

1920s to 1930s: Glamour, Geometry, and Getting Modern

The 1920s, known as the Roaring Twenties, came on the heels of a pandemic and a world war. People were craving joy, freedom, and fun.

1920s art posters: woman with drink, elegant smoker, and man in top hat. Text: Cognac Monnet, abe, Austin Reed 113 Regent St.
1920's Graphic Design

Cue the rise of Art Deco, with all its gold foil, jazzy curves, and Gatsby glam energy. This design era celebrated movement, technology, and indulgence. Everything looked like it was going somewhere, and fast.

Three vintage posters: A vendor with cart, a World's Fair scene with fireworks, and a steel construction design. Text marks dates and artists.
1930's Graphic Design

But when the Great Depression hit in the 1930s, the visual tone changed. Life got real, and design followed. Gone was the sparkle. In came muted colours, functional layouts, and utilitarian typography. The shift reflected a collective pivot from opulence to resilience.


Saul Bass operating film editing machine in cluttered workshop. Black-and-white image, shelves with reels and tools in background.
Saul Bass at work in his editing studio

1940s to 1950s: Messaging, Optimism, and the Birth of Brand Cool

Three vintage posters: "We Can Do It!" woman flexing (1942), acrobat spelling "Vogue" (1940), and octopus map design with text "Indie Moet Vrij!" (1944).
1940's Graphic Design

In the 1940s, World War II shaped design across the globe. Messaging had to be clear, motivational, and immediate. Propaganda posters, rationing campaigns, and calls to action all leaned into bold typography and high-contrast visuals to get the point across.


Three posters: 1952 Rio cable car, 1953 Playboy logo, 1954 colorful radio waves. Text includes "Eastern Air Lines" and "Playboy."
1950's Graphic Design

By the 1950s, the world was ready to exhale. Cue the dream of suburban bliss and post-war prosperity. Brands leaned into pastel palettes, whimsical illustrations, and mid-century modern aesthetics. Design became a way to sell the dream: safe, stylish, and comfortably aspirational.


Protesters raising fists hold signs with slogans like "Panther Movement" and "Down with Fascism" in a crowded, emotive black-and-white scene.
Polynesian Panthers Protest 1972

1960s to 1970s: Youthquake, Global Influence, and a Whole Lot of Colour

Three vibrant posters: Moby Dick with colorful waves, 007 with characters and gun, and a silhouette with psychedelic hair, each labeled with artist and year.
1960's Graphic Design

The 1960s were a cultural cocktail of protest, psychedelia, and rock ’n’ roll, and design was right there in the front row, making noise. Graphic design became a powerful tool of activism and rebellion, giving a visual voice to civil rights, anti-war movements, and counterculture ideologies. 


Protest posters weren’t just informative but emotional, visceral, and urgent. Design amplified the message, rallied the masses, and spread ideas in ways that words alone couldn’t. This was design with a mission, from swirling concert flyers to stark political broadsheets. The colour got brighter. Fonts got weirder. Layouts got experimental. It was design without a dress code, and without apology.


Three vintage artworks: a 1973 poster with a face and rainbow design, 1972 Pepsi cans, and a vibrant 1979 poster with abstract elements.
1970's Graphic Design

Then came the 1970s, when cultural exchange started to really expand in graphic design. Global design influences like Afrocentric motifs, Japanese simplicity, and Latin American poster art became part of the visual lexicon. Design reflected a world getting smaller, louder, and more diverse.

Spacious Pentagram Studio with empty desks, colourful folders, and design tools. Shelves with books, large windows, yellow ceiling pipes, modern feel.
Photo of Pentagram Studio, NYC 1980

1980s: Neon, Noise, and Maximum Impact

Abstract image with colorful, blurred patterns, text "Game Over." A black poster with a pink triangle, "SILENCE=DEATH", and yellow MTV logo.
1980's Graphic Design

The 80s didn’t do subtle. MTV was the new visual frontier, and graphic design became fast, flashy, and full of attitude. Neon colours, loud prints, geometric shapes. Everything was oversized, overdone, and unforgettable.


Design mirrored the cultural obsession with capitalism, celebrity, and mass media. Logos weren’t just branding, they were status symbols. You didn’t just buy a product. You bought the brand.

Space-themed website page with planets and a spaceship surrounding "Space Jam" text on a starry background. Bright colours create a playful mood.
Website Page 1996

1990s: Chaos, Contrast, and Digital Beginnings

Collage with 1995 Paula Scher poster, 1994 PlayStation logo, and 1998 Jennifer Morla ad. Bold text, vibrant colors, creative typography.
1990's Graphic Design

The 1990s were visually chaotic, and for good reason. Grunge, hip-hop, and skate culture shaped a gritty, DIY design language full of ripped textures and jagged fonts. This wasn’t just a look, it was a reflection of raw cultural expression.


These visuals echoed youth rebellion, identity, and authenticity. But it didn’t stop there. 

Design also shaped culture back, turning underground vibes into mainstream influence. What began in zines and streetwear soon showed up in ad campaigns, tech branding, and global style. Design and culture? Total co-creators in the 90s.


At the same time, the internet started to creep into everyday life. Web design was clunky, experimental, and unlike anything before. Tech culture birthed a whole new design aesthetic: clean, futuristic, and ready to reboot.

New Jersey Performing Arts Center building with words like "Drama," "Dance," "Theater" in bold letters. Flags hang outside. Urban setting under a blue sky.
New Jersey Performing Arts Center by Graphic Designer Puala Scher

2000s & 2010s: Tech, Simplicity, and the Rise of the Global Aesthetic

Three artworks: A 2008 red/blue poster with "HOPE"; vibrant building graphics from 2007; a 2003 poster with intricate text and portrait.
2000's & 2010's Graphic Design

Minimalism made a major comeback. The iPod, Google search, and flat design took over. Everyone wanted their brand to look clean, smart, and future-proof. But this wasn’t just about tech. The early 2000s brought a rise in digital lifestyles, sleek gadgets, and a need for visual calm after Y2K and a shifting political world.


Design started shaping how we used the internet and trusted brands. Interfaces became more human. Visuals became clearer. As culture became faster and more online, design helped us make sense of it all, guiding attention and building connection.


But cultural mash-ups were happening, too. Thanks to the rise of global connectivity, design influences started blending: Scandinavian functionality, Korean pop culture, and African futurism all mingled on moodboards.

Surreal close-up of a person with a distorted face, featuring mirrored, stretched features. Blue-gray background, ethereal and dreamlike.
Rise of Mixed Media Alex Contreras 2025

2020s: Real People, Real Purpose, and Real Fast Trends

Neon blue sign reads "Love is Undefeated"; hand with red nails on calculator displaying "Just did the math, we're f****d"; red album cover.
2020's Graphic Design

Today’s design is socially aware and hyper-adaptive. Audiences want to see themselves represented. They want to know a brand stands for something. Visuals need to connect on both the emotional and ethical levels.


Trends move fast. One day, it’s Y2K nostalgia. The next, it’s Barbiecore meets Brutalism. Thanks to social media, design is shaped by micro-movements, influencers, and meme culture. But there’s more than aesthetics at play. Design today reflects deeper social and political shifts. It’s how people rally around causes, form communities, and express identity.


Now more than ever, our designs can reach anyone, anywhere. That’s a lot of power. And it carries a responsibility. What we create and how we share it matters because design can influence thought, spotlight issues, and move people. Its cultural weight is undeniable, and its impact can last long after the trends have moved on.

Colorful food advertisement on a brick wall featuring vegetables, fruits, and texts like "Put flavor to the taste" and "Born ripe."
Photo Focused AD Wash 2020’s

Design Tips for Brands That Want to Be Culturally Fluent

  • Watch the world. Trends start in the margins of fashion, music, and social media. Stay curious.

  • Design for people, not platforms. Think emotional connection before aesthetics.

  • Know your references. Design with intention, not imitation.

  • Build a visual voice. Evolve it with your audience, not away from them.

Partnering with a creative team that understands social media marketing can help bring these strategies to life effectively.


Make Your Design Impactful with Edmonton Digital Marketing Experts


Design isn’t just what something looks like. It’s how people feel when they see it. It’s what they remember, what they repeat, what they share.


At Fox and Forth, we don’t just design to look good; we design to mean something. Every visual choice is a voice. It communicates who you are, what you value, and where you stand.


So ask yourself: when your audience sees your design, what story are you telling?


Ready to make your message unforgettable? Let's design it with meaning.



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