Graphic Design & Social Media Marketing Has Never Been Neutral: Here’s Why
- Cai-Parker Paré
- Jun 25
- 5 min read
Updated: Jun 26
Graphic design doesn’t just reflect the culture; it flirts with it, challenges it, and sometimes totally changes the game.
From the sleek confidence of 1920s Art Deco to today’s digitally-native visuals, graphic design has always been in a back-and-forth with what’s happening worldwide. Culture hands design the vibe, the values, the moment. And design hands it right back with visuals that define how we remember it.
This isn’t about being trendy. It’s about being tuned in and thoughtful. At Fox and Forth, a leading branding agency in Edmonton, we know that when design and culture are in sync, the result isn’t just beautiful; it’s meaningful, magnetic, and built to last.
The Cultural Timeline of Graphic Design to Social Media Marketing

1920s to 1930s: Glamour, Geometry, and Getting Modern
The 1920s, known as the Roaring Twenties, came on the heels of a pandemic and a world war. People were craving joy, freedom, and fun.

Cue the rise of Art Deco, with all its gold foil, jazzy curves, and Gatsby glam energy. This design era celebrated movement, technology, and indulgence. Everything looked like it was going somewhere, and fast.

But when the Great Depression hit in the 1930s, the visual tone changed. Life got real, and design followed. Gone was the sparkle. In came muted colours, functional layouts, and utilitarian typography. The shift reflected a collective pivot from opulence to resilience.

1940s to 1950s: Messaging, Optimism, and the Birth of Brand Cool

In the 1940s, World War II shaped design across the globe. Messaging had to be clear, motivational, and immediate. Propaganda posters, rationing campaigns, and calls to action all leaned into bold typography and high-contrast visuals to get the point across.

By the 1950s, the world was ready to exhale. Cue the dream of suburban bliss and post-war prosperity. Brands leaned into pastel palettes, whimsical illustrations, and mid-century modern aesthetics. Design became a way to sell the dream: safe, stylish, and comfortably aspirational.

1960s to 1970s: Youthquake, Global Influence, and a Whole Lot of Colour

The 1960s were a cultural cocktail of protest, psychedelia, and rock ’n’ roll, and design was right there in the front row, making noise. Graphic design became a powerful tool of activism and rebellion, giving a visual voice to civil rights, anti-war movements, and counterculture ideologies.
Protest posters weren’t just informative but emotional, visceral, and urgent. Design amplified the message, rallied the masses, and spread ideas in ways that words alone couldn’t. This was design with a mission, from swirling concert flyers to stark political broadsheets. The colour got brighter. Fonts got weirder. Layouts got experimental. It was design without a dress code, and without apology.

Then came the 1970s, when cultural exchange started to really expand in graphic design. Global design influences like Afrocentric motifs, Japanese simplicity, and Latin American poster art became part of the visual lexicon. Design reflected a world getting smaller, louder, and more diverse.

1980s: Neon, Noise, and Maximum Impact

The 80s didn’t do subtle. MTV was the new visual frontier, and graphic design became fast, flashy, and full of attitude. Neon colours, loud prints, geometric shapes. Everything was oversized, overdone, and unforgettable.
Design mirrored the cultural obsession with capitalism, celebrity, and mass media. Logos weren’t just branding, they were status symbols. You didn’t just buy a product. You bought the brand.

1990s: Chaos, Contrast, and Digital Beginnings

The 1990s were visually chaotic, and for good reason. Grunge, hip-hop, and skate culture shaped a gritty, DIY design language full of ripped textures and jagged fonts. This wasn’t just a look, it was a reflection of raw cultural expression.
These visuals echoed youth rebellion, identity, and authenticity. But it didn’t stop there.
Design also shaped culture back, turning underground vibes into mainstream influence. What began in zines and streetwear soon showed up in ad campaigns, tech branding, and global style. Design and culture? Total co-creators in the 90s.
At the same time, the internet started to creep into everyday life. Web design was clunky, experimental, and unlike anything before. Tech culture birthed a whole new design aesthetic: clean, futuristic, and ready to reboot.

2000s & 2010s: Tech, Simplicity, and the Rise of the Global Aesthetic

Minimalism made a major comeback. The iPod, Google search, and flat design took over. Everyone wanted their brand to look clean, smart, and future-proof. But this wasn’t just about tech. The early 2000s brought a rise in digital lifestyles, sleek gadgets, and a need for visual calm after Y2K and a shifting political world.
Design started shaping how we used the internet and trusted brands. Interfaces became more human. Visuals became clearer. As culture became faster and more online, design helped us make sense of it all, guiding attention and building connection.
But cultural mash-ups were happening, too. Thanks to the rise of global connectivity, design influences started blending: Scandinavian functionality, Korean pop culture, and African futurism all mingled on moodboards.

2020s: Real People, Real Purpose, and Real Fast Trends

Today’s design is socially aware and hyper-adaptive. Audiences want to see themselves represented. They want to know a brand stands for something. Visuals need to connect on both the emotional and ethical levels.
Trends move fast. One day, it’s Y2K nostalgia. The next, it’s Barbiecore meets Brutalism. Thanks to social media, design is shaped by micro-movements, influencers, and meme culture. But there’s more than aesthetics at play. Design today reflects deeper social and political shifts. It’s how people rally around causes, form communities, and express identity.
Now more than ever, our designs can reach anyone, anywhere. That’s a lot of power. And it carries a responsibility. What we create and how we share it matters because design can influence thought, spotlight issues, and move people. Its cultural weight is undeniable, and its impact can last long after the trends have moved on.

Design Tips for Brands That Want to Be Culturally Fluent
Watch the world. Trends start in the margins of fashion, music, and social media. Stay curious.
Design for people, not platforms. Think emotional connection before aesthetics.
Know your references. Design with intention, not imitation.
Build a visual voice. Evolve it with your audience, not away from them.
Partnering with a creative team that understands social media marketing can help bring these strategies to life effectively.
Make Your Design Impactful with Edmonton Digital Marketing Experts
Design isn’t just what something looks like. It’s how people feel when they see it. It’s what they remember, what they repeat, what they share.
At Fox and Forth, we don’t just design to look good; we design to mean something. Every visual choice is a voice. It communicates who you are, what you value, and where you stand.
So ask yourself: when your audience sees your design, what story are you telling?
Ready to make your message unforgettable? Let's design it with meaning.
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